Three Basic Guidelines for Taking Better Pictures
Have you ever seen a great photograph and wondered, "What makes that
picture stand out? Why don't my photographs look like that?"
What is it that makes a photograph special? We're usually inclined to
think it is the main subject in the photograph. Maybe the photographer
was just lucky to find such a great subject, and to quickly capture it
on film. That happens, to be sure. But more often, a good photo is the
result of knowing what to look for, planning in advance, and experience.
For example, you have likely seen a really fantastic football or
basketball photo in a sports magazine. Consider the fact that the vast
majority of sports photos are bad -- even unusable! Why? Because in
fast-moving sports, even with automatic exposure and auto-focus
capabilities, the camera cannot plan a photograph or be at the right
place at the right time to capture a winning photograph. A sports
photographer has to know how to follow the action, how to use the
camera's settings for the given conditions, and most importantly, how to
use a few simple guidelines to plan for a good photograph.
You can likewise improve your own photographs, using any kind of camera,
by following these three basic guidelines:
- The picture should have a specific theme or subject. The photograph
says something to the viewer, and this message is clear and unambiguous.
Maybe the photo tells a story or maybe it invokes an emotion. Clarify
what the theme or the subject will be, and plan for the viewer to see
that person or object or story immediately.
- The picture should focus attention on your subject. The viewer sees
the subject first, and the subject immediately invokes an emotion or
theme or idea without distraction or allowing the mind to wander. There
are many techniques for drawing the eye to the subject, such as
compositional placement, selective focus, framing, size emphasis,
motion, and converging lines. Learn how to use these techniques and more
in Photo Tips: How to Compose
Great Photographs.
- The picture should simplify. Only elements that draw the eye to the
subject are included; everything else is eliminated or diminished. This
means moving closer to the subject, selectively focusing on the subject,
or finding other ways to remove distracting elements from within the
frame. I have been known to step into the frame and physically remove an
offending item.
Think about these three simple guidelines every time you snap a picture,
and you will begin to see great improvement in your photography. For
example, you want to photograph your child on a sunny day in a field of
wildflowers. Your first inclination might be to back up several yards
away from the child, place her in the center of the frame, ask her to
smile, and snap the picture. Unfortunately, the resulting photograph
will likely be mediocre, or even disappointing in quality. Problems: too
far from subject, posey expression, probable deep shadows across the
face, boring composition.
Use the basic guidelines to improve your photo. First, what is the
subject or the theme? For a child in a field of flowers, what will you
say about the child? What is the theme? Is it a fantasy world, the
beauty of nature, or childlike innocence? How will you focus on the
subject? Consider allowing the child to explore the field, picking and
examining flowers. Take candid photos. Move in close. Photograph the
child from all angles, even from behind as she romps through the
flowers. Place her off-center. Use selective focus to frame her with
out-of-focus flowers at the top and bottom of the frame. Watch the
background for distractions. Don't be afraid to go through an entire
roll of film or take a substantial series of digital photographs.
Herein lies another truth about creating a great photograph. No matter
how well-planned they are, not every photograph will be "the one."
Consider the sports photographer we discussed earlier. He will expose
several rolls of film or create large digital photo files from which to
choose that one winning shot that will published on the sports page.
Most of the rest will be discarded. Likewise, when you see your final
pictures, one of them will likely stand out above all the rest.
Celebrate; and don't focus on your less successful efforts.
Begin using these guidelines now to greatly enhance your ability
to "see" a great photo in the making. Soon you will find yourself
producing high quality photographic work that you can be proud of.
~Sandra Bynum
An avid photographer since childhood,
Sandra Bynum set up her own darkroom at age 14. She earned her BA in
Fine Arts, and continued to hone her photographic skills while
homeschooling her children. Ms. Bynum is a freelance writer who recently
opened a fine arts teaching center.
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