Tutorial: Pen and Ink. Drawing
a Natural Science Subject from Direct Observation
Supplies: Artist paper, pencil, eraser, pen
and ink.
1. Choose comfortable location. Light an overpriced candle.
Place a ‘nature’ CD in repeat mode so there will be no need to
get up and change music for the next few hours.
2. Adjust lighting so that it falls on your paper and another
light source to highlight specimen.
3. Study the specimen to become familiar with it. Turn it
slowly, look for its best angle. Now examine it closer under a
hand lens. {Gasp, followed by low whistle}.
4. Begin a line drawing in pencil. A sketch. Short, whispery
strokes, blocking in the entire drawing. Constantly check
accuracy of the negative spaces (the area around the specimen).
When at all possible, draw to scale, to actual size.
5. Plan carefully so that you do not run off of the paper. Do
not “fudge” on the drawing and change the accuracy of the
drawing to fit a piece of paper.
6. Work the entire page, slowly adding detail. But still
concentrating on no, one, area of the specimen. The subject
should emerge on the paper slowly and accurately. All at the
same time. This line drawing should be beautiful and simple. For
it will stand on it own after inked in.
7. Draw over the pale pencil lines with your chosen pen and ink
medium. Pause for the ink to draw before any attempt to erase
the underdrawing. This might be a fine time to take off pajamas
and change into some sweats while watching Judge Mathis dole out
swift justice. When you return, erase all hint of the pencil
lines so that the viewer (auction bidder?) will be duly
impressed with your virtuosity with what can be a difficult to
master, unforgiving medium. Pen and ink.
8. Work on a fancy signature that those “Antiques Road Show”
experts will learn to recognize in due time. All in due time.
Sign your work.
-Cynthia Padilla
Cynthia Padilla-Come along as we learn and improve drawing
skills through direct observation. Explore the traditional dry media
applications of graphite pencil, colored pencil, pen and ink, charcoal, and
pastels. I am a national instructor of drawing and sketching through the
traditions of Plein Air Field
Sketching, the Botanical Arts and Naturalist Illustration.
"To
draw, you must close your eyes and sing"-Pablo Picasso